Julie Ewington

‘Three Moments’ in Robin White, Something is Happening Here, Te Papa Press and Auckland Art Gallery Toi o Tamaki pp. 158-161

‘moving still’ in jessica loughlin from here, Wakefield Press & JamFactory pp. 12-35. & pp. 164-173

‘Blanche Tilden in Five Movements’ in Blanche Tilden, Ripple Effect, A 25 Year Survey, Geelong Gallery pp. 6-13.

‘Situated Reading’, in Agatha Gothe-Snape: The Outcome is Certain, Perimeter Editions & Monash University Museum of Art, Melbourne, pp. 21-32.

‘Tala Madani’s Comic Cuts’, On Vulnerability and Doubt, Australian Centre for Contemporary art, 2019, pp. 46-51.

‘Cosmopolis #1.5: Enlarged Intelligence: Contemporary Art in Chengdu’, eyeline, no. 91, September 2019, pp.64-71.

'Art Turns. World Turns: The first months at MACAN’, Art Monthly, May

Kirsten Coelho, Tim Edwards, 2018 Adelaide Biennial of Australian Art

‘Five Elements: An Abbreviated Account of Installation Art in Southeast Asia’, in (editors Patrick D. Flores and Kajiya Kenji), Shaping the History of Art in Southeast Asia, The Japan Foundation | Asia Center, Tokyo, pp.35-9. (Originally published 1995)

‘The Apotheosis of Dirt’, (essay) in (edited Rebecca Coates) 2017 Sidney Myer Fund Australian Ceramic Award, SAM (Shepparton Art Museum), VIC.

’The Value of Maturity: Anne Ferran, Judith Wright, Lindy Lee’, in (edited Jacqueline Millner and Catriona Moore) Feminist Perspectives on Art: Contemporary Outakes, Routlege, London and New York, pp. 24-37

‘Unfinished feminism, unceasing activism: Australian art over five decades’, in (editors Max Delany & Annika Kristensen, Unfinished Business: Perspectives on art and feminism, ACCA, Melbourne, pp. 22-9

‘Tim Silver: 1000 Songs Everyone Must Hear Before They Die’, in Tim Silver: Talking to the Shadows, McClelland Sculpture Park + Gallery, Langwarrin, VIC.

The Sculpture of Bronwyn Oliver (exhibition brochure), TarraWarra Museum of Art, Healesville, VIC.

REVEALED3 : SOMEONE'S AND EVERYONE’S, Samstag Museum of Art, University of South Australia, Adelaide

Nell: The Wake, STATION Gallery, Melbourne 2016.

Luise Guest  Half the sky: Conversations with Women Artists in China, Piper Press, Sydney, 2016 (editor)

‘Making a spectacle of himself: Mike Parr’s political performances', in Mike Parr: Language and Chaos, National Gallery of Australia

‘Beauty and darkness in suburbia: Yvonne Todd’; Balanced dualities: Sangeeta Sandrasegar’, and ‘Love and harmony: Nell’, ‘In (editor Antonia Syme), Many Hands: The First 40 Years of the Australian Tapestry Workshop, Australian Tapestry Workshop, Melbourne, pp.44-7, 52-5 and 60-63

‘Robert Gober’s The Heart is not a Metaphor’, Art Monthly Australia, Issue 279, May 

‘Made in Oz: Julie Ewington on Pop to Popism at the Art Gallery of New South Wales’, The Monthly, February

‘All the World’s Futures: Julie Ewington on the 56th Venice Biennale’, The Monthly,  July

‘A Theatre of mixed means’, (originally published 1988) in (editors) Glenn Barkley and Lesley Harding, Aleks Danko: My Fellow Aus-Tra-Aliens, Museum of Contemporary Art, Sydney, and Heide Museum of Art, Victoria, p.73

‘Still: Kirsten Coelho’s ceramics’ in Kevin Murray (ed.) Garland, Issue no 1, Dec. 2015,  

‘Duchamp returns: Marcel Duchamp: La Peinture, même’, eyeline, number 83, p.80

‘Notes from the North’, Art Monthly, no. 276, Summer 2014/15, pp.38-41

‘Lee MIngwei: Mori Art Museum, Tokyo’, Art Forum, vol. 53, no. 4, Dec. 2014, p. 326

Del Kathryn Barton, Piper Press, Sydney

Lead essay, Contemporary Australia: Women, QAGOMA, 2012

‘In Form’, Robert MacPherson: Popov and The Lost Constructivists, IMA, 2007.

Brought To Light II: Contemporary Australian Art 1966 -2006,(eds.) Lynne Seear and Julie Ewington, QAG, Brisbane, pp.72-77, 268-75 and 440-45

‘Andy Down Under: Warhol in Australia' in Andy Warhol, Queensland Art Gallery and The Andy Warhol Museum

‘Aboriginal Flowers 1928’ in Margaret Preston, Art Gallery of New South Wales, pp. 108-121.

Fiona Hall, Piper Press, Sydney

‘Susan Norrie: Inquisition’ in Jason Smith, Jason and Charles Green, (curators) Fieldwork, National Gallery of Victoria, Melbourne, 2002, pp.138-43

Northern journey: Conrad Martens in early Queensland (video recording, with John Steele, Janet Hogan, Rod Fensham), 28 min; and
Conrad Martens and the Darling Downs, exhibition brochure, Queensland Art Gallery, Brisbane 2001

‘Wide (true) blue yonder: Recent jewellery by Margaret West’, Object, no.1, 2000, pp.28-31

'In the Wild: Nature, Culture and Gender in Installation Art,' (ed.) Catriona Moore, Dissonance, Allen and Unwin

'Cuckoos in the Nest: Crafts and the Museum,' eyeline, no.16, pp.8-11

‘She’s Not Just a Vehicle: Margaret Dodd, Bridal Holden, 1977’, Creating Australia 200 Years of Art 1788-1988’ pp.186-187

‘Past the Post: Postmodernism and Postfeminism ’ 150 Women Artists by Women 150, Melbourne, VIC